Digital Humanities

Coined by Kimberlé Crenshaw in the late 1980s, intersectionality makes the case that dimensions of identity, such as gender and race, cannot be understood in isolation from each other because they work together to shape lived experience. As digital humanities has expanded in scope and content, questions of how to negotiate the overlapping influences of race, class, gender, sexuality, nation, and other dimensions that shape data, archives, and methodologies have come to the fore. Taking up these concerns, the authors in this volume explore their effects on the methodological, political, and ethical practices of digital humanities. Essays examine intersectionality from a range of positions: the influence of overlapping identities on scholars within the digital humanities community.

"...an open-access, peer-reviewed, digital journal covering all aspects of digital media in the humanities. Published by the Association for Computers and the Humanities (ACH) and the Alliance of Digital Humanities Organizations (ADHO), DHQ is also a community experiment in journal publication."

This journal publishes work of original research and scholarship, theoretical articles on digital topics, notes on technological topics, commentary pieces discussing developments in the field, bibliographic and review articles, tutorials, and project reports.

Digital Scholarship in the Humanities is an international, peer reviewed journal which publishes original contributions on all aspects of digital scholarship in the Humanities including, but not limited to, the field of what is currently called the Digital Humanities.
Formerly Literary & Linguistic Computing (1986-2014).

Digital Studies / Le champ numérique is a refereed academic journal that serves as an Open Access area for formal scholarly activity and as a resource for researchers in the Digital Humanities.

a peer-reviewed online journal specializing in electronic literature, new media criticism and net art.

The journal seeks to gather current developments in the field of Digital Art History world-wide and to foster discourse on the subject both from Art History and Information Science.

A peer-reviewed academic journal with a focus on digital media and the development, application and reflection of digital research methodology in the Humanities. It is concerned with the history, current practice and theory of Digital Humanities. The journal publishes original research articles and reviews.

The Journal of Interactive Technology and Pedagogy promotes open scholarly discourse around critical and creative uses of digital technology in teaching, learning, and research.

The official journal of the Text Encoding Initiative consortium. It publishes the proceedings of the annual TEI Conference and Members' Meeting and special thematic issues: reports on electronic textual editing, current trends in TEI encoding, and new use cases for TEI. It furthermore provides a forum for articles on the discussion of the interface between the TEI and other communities, and more generally of the role of technological standards in the digital humanities, including digital scholarly editing, linguistic analysis, corpora creation, and newer areas such as mass digitization, semantic web research, and editing within virtual worlds.

Kairos is a refereed open-access online journal exploring the intersections of rhetoric, technology, and pedagogy.