Southeast Asian Diasporas of the Vietnam War (Spring 2025)

This beautifully illustrated and emotional story is an evocative memoir about the search for a better future and a longing for the past. Exploring the anguish of immigration and the lasting effects that displacement has on a child and her family, Bui documents the story of her family's daring escape after the fall of South Vietnam in the 1970s, and the difficulties they faced building new lives for themselves. At the heart of Bui's story is a universal struggle: While adjusting to life as a first-time mother, she ultimately discovers what it means to be a parent - the endless sacrifices, the unnoticed gestures, and the depths of unspoken love. Despite how impossible it seems to take on the simultaneous roles of both parent and child, Bui pushes through. With haunting, poetic writing and breathtaking art, she examines the strength of family, the importance of identity, and the meaning of home. In what Pulitzer Prize-winning novelist Viet Thanh Nguyen calls "a book to break your heart and heal it," The Best We Could Do brings to life Thi Bui's journey of understanding, and provides inspiration to all of those who search for a better future while longing for a simpler past.

Before the Vietnam War irrevocably altered traditional culture, Chaylium Saechao was a child growing up in a remote highland minority village in northern Laos. As a young girl, her parents taught her the importance of perseverance, kindness, and hard work. These values helped her cope with the trials and dislocations she would later encounter as a refugee in Laos, Thailand, and later in the United States. Here she recounts the story of a closely-knit family who relied on one another for survival. This memoir is dedicated to her children and grandchildren and to all of us interested in the story of a Iu Mien woman who bravely confronts many challenges in life.

As a young child, Lac Su made a harrowing escape from the Communists in Vietnam. With a price on his father's head, Lac, with his family, was forced to immigrate in 1979 to seedy West Los Angeles where squalid living conditions and a cultural fabric that refused to thread them in effectively squashed their American Dream. Lac's search for love and acceptance amid poverty--not to mention the psychological turmoil created by a harsh and unrelenting father--turned his young life into a comedy of errors and led him to a dangerous gang experience that threatened to tear his life apart. Heart-wrenching, irreverent, and ultimately uplifting, I Love Yous Are for White People is memoir at its most affecting, depicting the struggles that countless individuals have faced in their quest to belong and that even more have endured in pursuit of a father's fleeting affection.

In 1980, Y-Dang Troeung and her family were among the last of the 60,000 refugees from Cambodia that Canada agreed to admit. Their landing was widely documented in newspapers, with photographs of the prime minister shaking Troeung's father's hand and patting baby Y-Dang's head. Troeung became a literal poster child for the benevolence of the Canadian refugee project. She returns to this moment forty years later in her arresting memoir Landbridge, where she explores the tension between that public narrative of happy "arrival," and the multiple, often hidden truths of what happened to her family. In precise, beautiful prose, Troeung moves back and forth in time to tell stories about her parents and two brothers who lived through the Cambodian genocide, about the lives of her grandparents and extended family, about her own childhood in the refugee camps and in rural Ontario, and eventually about her young son's illness and her own diagnosis with a terminal disease. Throughout this brilliant and astonishing book, Troeung looks with bracing clarity at refugee existence and dares to imagine a better future, with love.

In search of a place to call home, thousands of Hmong families made the journey from the war-torn jungles of Laos to the overcrowded refugee camps of Thailand and onward to America. But lacking a written language of their own, the Hmong experience has been primarily recorded by others. Driven to tell her family's story after her grandmother's death, The Latehomecomer is Kao Kalia Yang's tribute to the remarkable woman whose spirit held them all together. It is also an account of a people who have worked hard to make their voices heard. Beginning in the 1970s, as the Hmong were being massacred for their collaboration with the United States during the Vietnam War, Yang recounts the harrowing story of her family's captivity, the daring rescue undertaken by her father and uncles, and their narrow escape into Thailand where Yang was born in the Ban Vinai Refugee Camp. When she was six years old, Yang's family immigrated to America, and she captures the challenges of adapting to a new place and a new language. Through her words, the dreams, wisdom, and traditions passed down from her grandmother and shared by an entire community have finally found a voice.

When Putsata Reang was eleven months old, her family fled war-torn Cambodia, spending twenty-three days on an overcrowded navy vessel before finding sanctuary at an American naval base in the Philippines. Holding what appeared to be a lifeless baby in her arms, Ma resisted the captain's orders to throw her bundle overboard. Instead, on landing, Ma rushed her baby into the arms of American military nurses and doctors, who saved the child's life. "I had hope, just a little, you were still alive," Ma would tell Put in an oft-repeated story that became family legend. Over the years, Put lived to please Ma and make her proud, hustling to repay her life debt by becoming the consummate good Cambodian daughter, working steadfastly by Ma's side in the berry fields each summer and eventually building a successful career as an award-winning journalist. But Put's adoration and efforts are no match for Ma's expectations. When she comes out to Ma in her twenties, it's just a phase. When she fails to bring home a Khmer boyfriend, it's because she's not trying hard enough. When, at the age of forty, Put tells Ma she is finally getting married--to a woman--it breaks their bond in two. In her startling memoir, Reang explores the long legacy of inherited trauma and the crushing weight of cultural and filial duty. With rare clarity and lyric wisdom, Ma and Me is a stunning, deeply moving memoir about love, debt, and duty.

A powerful memoir of resilience, friendship, family, and food from the acclaimed chefs behind the award-winning Hy Vong Vietnamese restaurant in Miami. Through powerful narrative, archival imagery, and 20 Vietnamese recipes that mirror their story, Mango & Peppercorns is a unique contribution to culinary literature. In 1975, after narrowly escaping the fall of Saigon, pregnant refugee and gifted cook Tung Nguyen ended up in the Miami home of Kathy Manning, a graduate student and waitress who was taking in displaced Vietnamese refugees. This serendipitous meeting evolved into a decades-long partnership, one that eventually turned strangers into family and a tiny, no-frills eatery into one of the most lauded restaurants in the country. Tung's fierce practicality often clashed with Kathy's free-spirited nature, but over time, they found a harmony in their contrasts--a harmony embodied in the restaurant's signature mango and peppercorns sauce. * IMPORTANT, UNIVERSAL STORY: An inspiring memoir peppered with recipes, it is a riveting read that will appeal to fans of Roy Choi, Ed Lee, Ruth Reichl, and Kwame Onwuachi. * TIMELY TOPIC: This real-life American dream is a welcome reminder of our country's longstanding tradition of welcoming refugees and immigrants. This book adds a touchpoint to that larger conversation, resonating beyond the bookshelf. * INVENTIVE COOKBOOK: This book is taking genre-bending a step further, focusing on the story first and foremost with 20 complementary recipes. Perfect for: * Fans of culinary nonfiction * Fans of Ruth Reichl, Roy Choi, Kwame Onwuachi, and Anya Von Bremzen * Home cooks who are interested in Asian food and cooking

Given Madonna's recent decision to adopt a child from Malawi, news and entertainment are abuzz with what you've observed yourself--in your own family, or the family next door, or passing the neighborhood playground--there's a boom in transracial adoption. Most coverage focuses on the struggles of good white parents wishing to adopt "unfortunate" children of color. Some touches on the irony of Black babies in the United States being exported to Canada and Europe because of their "unwanted" status here. Some even addresses the trafficking of children (of course, it would--that's sensational). But few look at o why babies are available for adoption in the first place o what happens when they grow up and o how we come up with solutions that are humane and just Healthy white infants have become hard to locate and expensive to adopt. So people from around the world turn to interracial and intercountry adoption, often, like Madonna, with the idea that while growing their families, they're saving children from destitution. But as Outsiders Within reveals, while transracial adoption is a practice traditionally considered benevolent, it often exacts a heavy emotional, cultural, and even economic toll. Through compelling essays, fiction, poetry, and art, the contributors to this landmark publication carefully explore this most intimate aspect of globalization. Finally, in the unmediated voices of the adults who have matured within it, we find a rarely-considered view of adoption, an institution that pulls apart old families and identities and grafts new ones. Moving beyond personal narrative, these transracially adopted writers from around the world tackle difficult questions about how to survive the racist and ethnocentric worlds they inhabit, what connects the countries relinquishing their children to the countries importing them, why poor families of color have their children removed rather than supported--about who, ultimately, they are. In their inquiry, they unseat conventional understandings of adoption politics, ultimately reframing the controversy as a debate that encompasses human rights, peace, and reproductive justice.

From "an exceptional storyteller," Somewhere in the Unknown World is a collection of powerful stories of refugees who have found new lives in Minnesota's Twin Cities, told by the award-winning author of The Latehomecomer and The Song Poet. All over this country, there are refugees. But beyond the headlines, few know who they are, how they live, or what they have lost. Although Minnesota is not known for its diversity, the state has welcomed more refugees per capita than any other, from Syria to Bosnia, Thailand to Liberia. Now, with nativism on the rise, Kao Kalia Yang--herself a Hmong refugee--has gathered stories of the stateless who today call the Twin Cities home. Here are people who found the strength and courage to rebuild after leaving all they hold dear. Awo and her mother, who escaped from Somalia, reunite with her father on the phone every Saturday, across the span of continents and decades. Tommy, born in Minneapolis to refugees from Cambodia, cannot escape the war that his parents carry inside. As Afghani flees the reach of the Taliban, he seeks at every stop what he calls a certificate of his humanity. Mr. Truong brings pho from Vietnam to Frogtown in St. Paul, reviving a crumbling block as well as his own family. In Yang's exquisite, necessary telling, these fourteen stories for refugee journeys restore history and humanity to America's strangers and redeem its long tradition of welcome.

A strike pattern is a signature of violence carved into the land--bomb craters or fragments of explosives left behind, forgotten. In Strike Patterns, poet and anthropologist Leah Zani journeys to a Lao river community where people live alongside such relics of a secret war. With sensitive and arresting prose, Zani reveals the layered realities that settle atop one another in Laos--from its French colonial history to today's authoritarian state--all blown open by the war. This excavation of postwar life's balance between the mundane, the terrifying, and the extraordinary propels Zani to confront her own explosive past. From 1964 to 1973, the United States carried out a covert air war against Laos. Frequently overshadowed by the war with Vietnam, the Secret War was the longest and most intense air war in history. As Zani uncovers this hidden legacy, she finds herself immersed in the lives of her hosts: Chantha, a daughter of war refugees who grapples with her place in a future Laos of imagined prosperity; Channarong, a bomb technician whose Thai origins allow him to stand apart from the battlefields he clears; and Bounmi, a young man who has inherited his bomb expertise from his father but now struggles to imagine a similar future for his unborn son. Wandering through their lives are the restless ghosts of kin and strangers. Today, much of Laos remains contaminated with dangerous leftover explosives. Despite its obscurity, the Secret War has become a shadow model for modern counterinsurgency. Investigating these shadows of war, Zani spends time with silk weavers and rice farmers, bomb clearance crews and black market war scrap traders, ritual healers and survivors of explosions. Combining her fieldnotes with poetry, fiction, and memoir she reflects on the power of building new lives in the ruins.

A superb new graphic memoir in which an inspired artist/storyteller reveals the road that brought his family to where they are today- Vietnamerica GB Tran is a young Vietnamese American artist who grew up distant from (and largely indifferent to) his family's history. Born and raised in South Carolina as a son of immigrants, he knew that his parents had fled Vietnam during the fall of Saigon. But even as they struggled to adapt to life in America, they preferred to forget the past-and to focus on their children's future. It was only in his late twenties that GB began to learn their extraordinary story. When his last surviving grandparents die within months of each other, GB visits Vietnam for the first time and begins to learn the tragic history of his family, and of the homeland they left behind. In this family saga played out in the shadow of history, GB uncovers the root of his father's remoteness and why his mother had remained in an often fractious marriage; why his grandfather had abandoned his own family to fight for the Viet Cong; why his grandmother had had an affair with a French soldier. GB learns that his parents had taken harrowing flight from Saigon during the final hours of the war not because they thought America was better but because they were afraid of what would happen if they stayed. They entered America-a foreign land they couldn't even imagine-where family connections dissolved and shared history was lost within a span of a single generation. In telling his family's story, GB finds his own place in this saga of hardship and heroism. Vietnamerica is a visually stunning portrait of survival, escape, and reinvention-and of the gift of the American immigrants' dream, passed on to their children. Vietnamerica is an unforgettable story of family revelation and reconnection-and a new graphic-memoir classic.

This powerful memoir about a Hmong family's epic journey to safety is a profound "testament to the miraculous strength of women and the indomitable resolve of the human spirit" (Cristina Henríquez, author of The Book of Unknown Americans). Born in 1961 in war-torn Laos, Tswb's childhood was marked by the violence of America's Secret War and the CIA recruitment of the Hmong and other ethnic minorities into the lost cause. By the time Tswb was a teenager, the US had completely vacated Laos, and the country erupted into genocidal attacks on the Hmong people, who were labeled as traitors. Fearing for their lives, Tswb and her family left everything they knew behind and fled their village for the jungle. Perpetually on the run and on the brink of starvation, Tswb eventually crossed paths with the man who would become her future husband. Leaving her own mother behind, she joined his family at a refugee camp, a choice that would haunt her for the rest of her life. Eventually becoming a mother herself, Tswb raised her daughters in a state of constant fear and hunger until they were able to emigrate to the US, where the determined couple enrolled in high school even though they were both nearly thirty and worked grueling jobs to provide for their children. Now, her daughter, Kao Kalia Yang, reveals her mother's astonishing saga with tenderness and clarity, giving voice to the countless resilient refugees who are often overlooked as one of the essential foundations of this country. "Haunting and painfully relevant" (Booklist), Where Rivers Part is destined to become a classic.