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The Cambridge Companion to the Italian Renaissance by
The Renaissance in Italy continues to exercise a powerful hold on the popular imagination and on scholarly enquiry. This Companion presents a lively, comprehensive, interdisciplinary, and current approach to the period that extends in Italy from the turn of the fourteenth century through the latter decades of the sixteenth. Addressed to students, scholars, and non-specialists, it introduces the richly varied materials and phenomena as well as the different methodologies through which the Renaissance is studied today both in the English-speaking world and in Italy. The chapters are organized around axes of humanism, historiography, and cultural production, and cover a wide variety of areas including literature, science, music, religion, technology, artistic production, and economics. The diffusion of the Renaissance throughout Italian territories is emphasized. Overall, the Companion provides an essential overview of a period that witnessed both a significant revalidation of the classical past and the development of new, vernacular, and increasingly secular values.
How to Read Italian Renaissance Painting by
Filled with great masterpieces by such artists as Botticelli, Leonardo, Raphael, Michelangelo, Masaccio, Piero della Francesca, Mantegna, and Titian, How to Read Italian Renaissance Painting takes the reader into their world. As in the internationally successful and innovative How to Read a Painting, each spread uses an important painting as a way to explain a key concept, with numerous large details. Here, 180 works illuminate key ideas in Renaissance painting, from "perpective" and "the golden section" to "grace" and "symbolism." In addition, there are brief biographies of the major artists. The result is an original, accessible, and affordable volume that offers an introduction into the art and culture of the Italian Renaissance.
Italian Renaissance Art by
Richly illustrated, and featuring detailed descriptions of works by pivotal figures in the Italian Renaissance, this enlightening volume traces the development of art and architecture throughout the Italian peninsula in the fifteenth and sixteenth centuries.<br /> <br /> <ul> <li>A smart, elegant, and jargon-free analysis of the Italian Renaissance - what it was, what it means, and why we should study it</li> <li>Provides a sustained discussion of many great works of Renaissance art that will significantly enhance readers' understanding of the period</li> <li>Focuses on Renaissance art and architecture as it developed throughout the Italian peninsula, from Venice to Sicily </li> <li>Situates the Italian Renaissance in the wider context of the history of art</li> <li>Includes detailed interpretation of works by a host of pivotal Renaissance artists, both well and lesser known</li> </ul>
The Oxford Classical Dictionary by
For almost half a century, the Oxford Classical Dictionary has been the unrivaled one-volume reference work on the Greco-Roman world. Whether one is interested in literature or art, philosophy or law, mythology or science, intimate details of daily life or broad cultural and historical trends, the OCD is the first place to turn for clear, authoritative information on ancient culture. This newly revised and completely up-to-date third edition of this historic reference adequately reflects the recent expansion in the scholarship and scope of classical studies. Here, in over six thousand entries ranging from long articles to brief identifications, readers can find information on virtually any topic of interestathletics, bee-keeping, botany, magic, Roman law, religious rites, postal service, slavery, navigation, and the reckoning of time. The Dictionary profiles every major figure of Greece and Rome-and lesser known figures not found in other references-from Homer and Virgil, to Plato and Aristotle, to Julius Caesar and Alexander the Great. Readers will find entries on mythological and legendary figures, on major cities, famous buildings, and important geographical landmarks, and on legal, rhetorical, literary, and political terms and concepts, as well as extensive thematic articles that offer superb coverage of topics of interest to both scholars and general readers, exploring everything from medicine and mathematics to music, law, and marriage. With contributions and guidance from some of the finest classical scholars in the world, the Oxford Classical Dictionary has no equal in any language. It is the definitive summation of classical scholarship as it stands today. The Dictionary covers: politics, government, economy - from political figures to systems, terms and practices, histories of major states and empires, economic theory, agriculture, artisans and industry, trade and markets religion and mythology - deities and mythological creatures, beliefs and rituals, sanctuaries and sacred buildings, astrology and magic law and philosophy - from biographies of lawgivers and lawyers to legal terms and procedures, from major and minor philosophers to philosophical schools, terms, and concepts science and geography - scientists and scientific theory and practice, doctors and medicine, climate and landscape, natural disasters, regions and islands, cities and settlements, communications languages, literature, art, and architecture - languages and dialects, writers and literary terms and genres, orators and rhetorical theory and practice, drama and performance, art, painters and sculptors, architects, buildings and materials archaeology and historical writing - amphorae and pottery, shipwrecks and cemeteries, historians, and Greek and Roman historiography military history - generals, arms and armour, famous battles, attitudes to warfare social history, sex, and gender - women and the family, kinship, peasants and slaves, attitudes to sexuality
The Oxford Dictionary of Classical Myth and Religion by
Drawn from the acclaimed Oxford Classical Dictionary, The Oxford Dictionary of Classical Myth and Religion offers a fully rounded guide to all aspects of religious life and thought in ancient Greece and Rome. Highly authoritative, this new book covers not only Greek mythologies and Roman festivals, but also devotes attention to topics such as Greek and Roman religious places, monuments, authors and texts, religious organization, imagery, divination, astrology, and magic. Unlike many other references on ancient Greece and Rome, the Dictionary also includes many entries on Judaism and Christianity in the classical world. The editors, area advisors for the third edition of the Oxford Classical Dictionary, have selected, revised, edited, and in some instances completely recast a large number of entries from the OCD to create this handy and accessible reference. The main text is supplemented by an important introductory essay providing overviews of mythology, religious pluralism in the ancient world, and the reception of myths from antiquity to the present. In addition to a helpful thematic index and extensive cross-references, the text is further supported by three maps and six genealogies. Backed by the authority and scholarly rigor of the renowned Oxford Classical Dictionary, The Oxford Dictionary of Classical Myth and Religion is a valuable A-Z reference and is as ideal a tool for students and teachers of ancient history as it is for all classics lovers.
